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	<title>Gilad Lotan &#187; talk</title>
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	<link>http://giladlotan.com/blog</link>
	<description>culture technology: bridging the gap</description>
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		<title>Seeing your Invisible Audience</title>
		<link>http://giladlotan.com/blog/2010/12/seeing-your-invisible-audience/</link>
		<comments>http://giladlotan.com/blog/2010/12/seeing-your-invisible-audience/#comments</comments>
		<pubDate>Thu, 02 Dec 2010 19:42:21 +0000</pubDate>
		<dc:creator>gilad</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[socialnet]]></category>
		<category><![CDATA[talk]]></category>
		<category><![CDATA[twitter]]></category>
		<category><![CDATA[visualization]]></category>

		<guid isPermaLink="false">http://giladlotan.com/blog/?p=643</guid>
		<description><![CDATA[::Making Sense of the Ebbs and Flow of Social Data
<p>Below are notes + slides of my presentation at the BRANDSconf. I’d like to acknowledge Hunter Whitney. Portions of this content were based on a discussion and an upcoming article he is writing on this topic (link coming shortly):</p>
<p>I&#8217;m extremely passionate about data analysis and design. [...]]]></description>
			<content:encoded><![CDATA[<h3><span style="font-weight: normal;">::Making Sense of the Ebbs and Flow of Social Data</span></h3>
<p>Below are notes + slides of my presentation at the <a href="http://brandsconf.com">BRANDSconf</a>. I’d like to acknowledge <a href="http://www.uxmag.com/authors/hunter-whitney">Hunter Whitney</a>. <strong>Portions of this content were based on a discussion and an upcoming article he is writing on this topic</strong> (link coming shortly):</p>
<p>I&#8217;m extremely passionate about data analysis and design. My work focuses on the intersection of the two. I play with data, and figure out ways to make it more accessible to people. I&#8217;m here to talk about why the art of making sense of massive amounts of social data is critical not only for geeks like me, but any professional using Twitter. And my goal is to get YOU all excited about the opportunity that understanding data unveils for us.</p>
<p>Whether you&#8217;re a multi-national enterprise, a local deli or a mah-jong meetup, the proliferation of social network services like Twitter have created an expectation that you interact with your customers, users and followers. There&#8217;s an expectation to connect rather than broadcast. We&#8217;ve been hearing this over and over this morning &#8211; you are a brand. And as a brand you are expected to interact with your audience like a person would interact with others. You need to engage in conversations, provide and receive feedback, network, create hype, and do all this in a timely manner.</p>
<p>But how can we be expected to interact with an ever growing and diverse group of people when we can&#8217;t really &#8220;see&#8221; them?</p>
<p><strong>Giving Shape to our Audience</strong></p>
<p><a href="http://smg.media.mit.edu/people/Judith/">Judith Donath</a> of Harvard&#8217;s Berkman Center talks about human signaling and how that translates to digital spaces. I get a variety of signals from merely standing in front of you all &#8211; your age, what you&#8217;re wearing, how you&#8217;re feeling, whose smiling and whose already fallen asleep. Being here, with you, part of this event, I have context that helps me understand how best to interact with you all. I&#8217;ll happily switch to speaking Hebrew, but obviously that will not be helpful. Even the little bit that I know about you helps me make some useful assumptions &#8211; speak English, tune down the analytics/mathematics terms, tune up the user experience/brand jargon.</p>
<p>Social network spaces are fueled by social interactions. Think of people&#8217;s interactions online as digital breadcrumbs, trails of connections, likes, thoughts and opinions. By piecing together these crumbs we can start making sense of the people giving us attention on Social Network sites. We must use as much of the tools available to mine the data about our audience &#8211; location, time of day, language, interests. In order to interact with an audience we need to be able to sense it.</p>
<p>There are a variety of tools that give us this opportunity to mine content. This is only the first step. We need to put an emphasis on looking at the connections between people, and not only the content that is being published.</p>
<p><strong>The Social Graph</strong></p>
<p>Social Graph is a term that I&#8217;m certain you all will hear more and more as social network spaces become a fundamental component of our lives. A social graph is a dataset that represents people and their inter-connections within a group. Mark Zuckerberg is known for popularizing the term in his description of the value that Facebook Connect brings to websites. Facebook&#8217;s social graph is made up of you all who I&#8217;m sure have accounts, and all your connections. Additionally, that graph distinguishes between types of connections &#8211; whether colleagues, friends or family.</p>
<p>Twitter&#8217;s social graph is different. Its a directed, which means that connections have directions. The person who you follow does not necessarily follow you back. Twitter&#8217;s social graph is fascinating because it maps people&#8217;s interests; what people are willing to give their attention to. By understanding people&#8217;s interests over time as well as their interconnections, we have the ability to identify we can reveal valuable points such as (1) bridges: people who connect two distinct communities (2) influencers: those who can get their audience to participate (3) experts: people who specialize on a specific topic (4) hustlers: culture creators.</p>
<p>While it is fairly straightforward to aggregate large datasets, we are still challenged by making sense of graph based data. These constantly changing graph indexes are massive at scale and may require complex queries in realtime: whats the shortest path between person A and person B, whats the intersection between group C and D or whats the clustering coefficients amongst group E. Once calculated, these results reflect on the intricacies of people&#8217;s relationships, and shedding light on properties that directly affect their behavior: influence, trust, authority and personal preference.</p>
<p><strong>Understanding information flows</strong></p>
<p>In the social web, information spreads through people, networks of friends, fans and followers. Social network sites create compelling spaces where users feel comfortable to hang out, interact, consume, poke and publish. Social interactions lubricate the flow of information within these spaces, creating a plethora of dynamics. These spaces are filled with endless streams of content, encouraging users to participate, add to, consume from and redirect content. As information flows by, users grab content when it is most relevant, valuable, entertaining or insightful, and at times, choose to pass it on.</p>
<p>Because information flows through networks of people, attention has become a scarce commodity. This is truly a game changer. Media companies no longer control people&#8217;s attention, but are rather fighting for a smaller section of the pie. True power lies in understanding how information flows and its effect of where people choose to focus their attention.  In order for messages to propagate through social networks, people along the way must be attentive to the pieces of information, see them at the right time, and pass them onwards.</p>
<p>Whether you&#8217;re interested in socializing or in selling a product, understanding people&#8217;s habits around information consumption and production is imperative to attaining people&#8217;s attention and building an audience. By leveraging the publicly available data around people&#8217;s practices, we can create services that shed a light on people&#8217;s habits and preferences. Additionally, by mining this data over time, we can infer their value in affecting information flows.</p>
<p><strong>::demo:: <a href="http://giladlotan.com/blog/2010/01/seeing-a-twitter-hashtag-spread/">seeing a Twitter Hashtag Spread</a></strong></p>
<p>I&#8217;ve been following <a href="http://twitter.com/jeffpulver">@jeffpulver</a> for a while now and know that he&#8217;s quite generous in terms of attention. A great time to catch Jeff is in the morning (wherever he is),  as he sends out a &#8216;good morning&#8217; Tweet, there tend to be reciprocal pings and messages. I also know Jeff is interested in new developments in the Israeli startup scene. If I have any juicy piece of information on that topic, I&#8217;d make sure to post it, possibly with a /cc/ to Jeff, and ideally around his morning time. I have a mental model in my head, around Jeff&#8217;s practices in consuming and producing content.</p>
<p>We all do this, but can only capture so much in our heads. We need tools that scale and capture our networks as a whole and not just individuals. Remember, its not necessarily about the size of an audience or someone&#8217;s number of followers, but rather who they are and who they&#8217;re connected to.</p>
<p>That all sounds really great, but in effect, representing large graph datasets can easily get out of hand, however loved by geeks, usually becomes a tangled mass of lines and dots. We must remember that this data is beneficial only if people are able to make sense of it. We need to think about interfaces that will let us play with the data; slice and dice the parts that we deem relevant or interesting. In addition to an intuitive interface, we need controls that will help us dive into and observe patterns or connections that would have otherwise been hidden.</p>
<p><strong>Closing</strong></p>
<p>There are three points I want to make sure you all come out of this talk thinking about:</p>
<p>1) <strong>Mine Digital Breadcrumbs</strong> &#8211; use the exiting tools to get a sense for how our audience looks and its segmentation (I&#8217;ve made a <a href="http://oneforty.com/gilgul/brandsconf">oneforty kit here</a>)</p>
<p>2) <strong>Social Graphs are Extremely Useful</strong> &#8211; yet complex to aggregate and mine.</p>
<p>3) <strong>understanding information flows is Powerful</strong> &#8211; especially as we&#8217;re shifting from broadcast mode to that of engagement</p>
<p>Social network analytics tools may fundamentally change the way we engage with our online audiences. We need to build better tools that do the above mentioned tasks. But I need people like you all to be vocal about your needs and frustrations. As we&#8217;re building out these technologies, we want to make sure they are tailored to real needs.  We&#8217;re only at the start of the journey, and I&#8217;m super excited to be a part of it!</p>
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		<item>
		<title>Presenting imPulse at TEX meetup</title>
		<link>http://giladlotan.com/blog/2008/09/presenting-impulse-at-tex-meetup/</link>
		<comments>http://giladlotan.com/blog/2008/09/presenting-impulse-at-tex-meetup/#comments</comments>
		<pubDate>Fri, 19 Sep 2008 07:45:27 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[ITP]]></category>
		<category><![CDATA[lecture]]></category>
		<category><![CDATA[talk]]></category>
		<category><![CDATA[weather]]></category>

		<guid isPermaLink="false">http://giladlotan.com/blog/?p=379</guid>
		<description><![CDATA[<p>Yes, a month has already passed and I have only just now got around to uploading my presentation from TEX to slideshare &#8211; a meetup for those seeking skills trade, collaboration, inspiration, techniques, and exposure to topics with an emphasis on fiber, physical computing, textiles, wearables, and all matters of materials. I gave a half [...]]]></description>
			<content:encoded><![CDATA[<p>Yes, a month has already passed and I have only just now got around to uploading my presentation from TEX to slideshare &#8211; a meetup for those seeking skills trade, collaboration, inspiration, techniques, and exposure to topics with an emphasis on fiber, physical computing, textiles, wearables, and all matters of materials. I gave a half hour presentation on <a href="http://giladlotan.com/projects/impulse.htm">imPulse</a> &#8211; the heartbeat sharing devices I built in collaboration with <a href="http://xncroft.com">Christian Croft</a>. The emphasis was on materials and design choices when building interactive pieces. I also demo-ed one of the imPulse pieces which still (surprisingly) works flawlessly! Thanks <a href="http://www.fashioningtech.com/">Syuzi</a> and Alice for arranging the meetup.</p>
<p align="center"><a title="impulse_-materials-and-interactive-design.jpg" class="imagelink" href="http://www.slideshare.net/giladlotan/impulse-materials-and-interactive-design-presentation#"><img alt="impulse_-materials-and-interactive-design.jpg" id="image380" style="width: 323px; height: 276px" src="http://giladlotan.com/blog/wp-content/uploads/2008/09/impulse_-materials-and-interactive-design.jpg" /></a></p>
<p>More info about the meetup on the <a href="http://blog.makezine.com/archive/2008/08/tangible_exchange.html?CMP=OTC-0D6B48984890">Make blog</a> and on <a href="http://igargoyle.com/archives/2008/08/1st_tangible_ex.html">Robo&#8217;s blog</a>.</p>
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		<title>Carmel Vaisman: Ethnography on the Hebrew Blogosphere</title>
		<link>http://giladlotan.com/blog/2008/04/carmel-weisman-ethnography-on-the-hebrew-blogosphere/</link>
		<comments>http://giladlotan.com/blog/2008/04/carmel-weisman-ethnography-on-the-hebrew-blogosphere/#comments</comments>
		<pubDate>Thu, 24 Apr 2008 04:31:51 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[culture technology]]></category>
		<category><![CDATA[israel]]></category>
		<category><![CDATA[talk]]></category>

		<guid isPermaLink="false">http://giladlotan.com/blog/?p=332</guid>
		<description><![CDATA[<p>Carmel vaisman&#8217;s research is utterly fascinating. She is a phd student in Israel, writing a dissertation on the Israeli blogosphere, specifically the Isra-blog platform. Israel is considered a technology leader, quickly adopting widespread use of new applications and online norms. Blogs took off in Israel only in 2001, with the creation of Isra-blog, the largest [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://israblog.nana10.co.il/blogread.asp?blog=56362&#038;year=2008">Carmel vaisman</a>&#8217;s research is utterly fascinating. She is a phd student in Israel, writing a dissertation on the Israeli blogosphere, specifically the <a href="http://israblog.co.il">Isra-blog</a> platform. Israel is considered a technology leader, quickly adopting widespread use of new applications and online norms. Blogs took off in Israel only in 2001, with the creation of Isra-blog, the largest of the existing Israeli blogging sites.</p>
<p>Israeli blogs are technologically different from their counterparts in the US, with two distinctions: comment spaces in US blogs are linear while in Israel they have a tree structure (similar to that of web forums). This format enables more constructive commenting since it supports numerous simultaneous threads. Secondly, Carmel claims that in the US the importance in a blog&#8217;s format is its text and links, while in Israel there is an emphasis on diversity and giving a user control over design features, while some of the options are given at a cost. She mentions that the Israeli media rarely covers the Israeli blogosphere, unlike the US. Those who DO mention Hebrew blogs are the tech writers and journalists.</p>
<p>Below is a <a href="http://www.vimeo.com/893951">video of her talk</a>, focused on the rise of major Israeli political blogs and their effect on policy. She opens with a question &#8211; Why Israeli-political blogs are not as influential as their counterparts in the States? She claims that the Israeli model for influence and effect is culturally different than that of the US, and that the Israeli blogosphere might possibly be more influential than we think. She backs her hypothesis with some good examples (in Hebrew):</p>
<p><object width="400" height="219" data="http://www.vimeo.com/moogaloop.swf?clip_id=893951&#038;server=www.vimeo.com&#038;fullscreen=1&#038;show_title=1&#038;show_byline=1&#038;show_portrait=0&#038; /><param name=" type="application/x-shockwave-flash"><param value="true" name="allowfullscreen" /><param value="showAll" name="scale" /><param value="http://www.vimeo.com/moogaloop.swf?clip_id=893951&#038;server=www.vimeo.com&#038;fullscreen=1&#038;show_title=1&#038;show_byline=1&#038;show_portrait=0&#038;" name="movie" />[tags]carmel,vaisman,blogosphere,hebrew,israel,politics,research,ethnography[/tags]</object></p>
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		<title>Dorkbot-socal</title>
		<link>http://giladlotan.com/blog/2008/04/dorkbot-socal/</link>
		<comments>http://giladlotan.com/blog/2008/04/dorkbot-socal/#comments</comments>
		<pubDate>Sun, 06 Apr 2008 13:01:52 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[DIY]]></category>
		<category><![CDATA[ITP]]></category>
		<category><![CDATA[interactive]]></category>
		<category><![CDATA[presence]]></category>
		<category><![CDATA[talk]]></category>

		<guid isPermaLink="false">http://giladlotan.com/blog/?p=322</guid>
		<description><![CDATA[<p>Saturday I gave a talk on Mediated Presence through Physical Objects in the Dorkbot-socal meetup at Machine Project gallery, LA. I chose to focus mostly on imPulse, the heartbeat sharing devices that Christian and I built and redesigned over the past two years. It is an artistic exploration of intimacy through mediated space, seeking a [...]]]></description>
			<content:encoded><![CDATA[<p>Saturday I gave a talk on Mediated Presence through Physical Objects in the Dorkbot-socal meetup at Machine Project gallery, LA. I chose to focus mostly on <a href="http://giladlotan.com/projects/impulse.htm">imPulse</a>, the heartbeat sharing devices that <a href="http://xncroft.com">Christian</a> and I built and redesigned over the past two years. It is an artistic exploration of intimacy through mediated space, seeking a way for people to connect on a deeper level across a distance. I presented its various iterations and described the design choices we made along the way, as well as the technology &#038; sensors which we used.</p>
<p><a title="DSC_0086 by giladlotan, on Flickr" href="http://www.flickr.com/photos/giladlotan/516688422/"></p>
<div style="text-align: center"><img width="159" height="240" alt="DSC_0086" src="http://farm1.static.flickr.com/221/516688422_3278d3cacb_m.jpg" /></div>
<p></a></p>
<p>I continued to briefly talk about <a href="http://giladlotan.com/projects/ubiach.htm">ubi.ach</a> (the email doll) and <a href="http://flickr.com/photos/giladlotan/1085945540/">ubiidu</a> (physical emoticons) as another project exploring the physical manifestation of remote presence. As both of these projects related to person-2-person communications, I ended the presentation with a person-2-place display, <a href="http://giladlotan.com/projects/kotel.htm">kotel</a>. This display extracts live webcam feeds from the wailing wall in Jerusalem, places them within a 3d space which is controllable through touching rocks &#8211; a display highlighting an intimate connection to a remote location through a haptic interface.</p>
<p>At the end of the talk I was asked if while showing imPulse around we noticed a difference between users who knew each other and were already intimate, and those who did not. I realized that especially during the crazy two year period that was ITP, we rarely had time to actually research and understand people&#8217;s behaviours with our projects. We were lucky with imPulse as we had several iterations to test and redo according to user input, but still, we had barely enough time to make it work. Would be extremely interesting to have that project setup somewhere and document different users, their behaviors and feedback after sharing heartbeats!</p>
<p>Here are the other presenters from the meetup:</p>
<p><strong>= Thomas Edwards =</strong><br />
<a target="_blank" href="http://www.t11s.com/">http://www.t11s.com</a><br />
<a target="_blank" href="http://phy2phy.wikidot.com/">http://phy2phy.wikidot.com/</a><br />
Thomas Edwards is a technology artist who is a recent transplant from Washington, DC (where he co-founded <span class="nfakPe">Dorkbot</span> DC). He will be presenting &#8220;Phy2Phy&#8221;, his campaign to link physical objects to other physical objects using the Interent. Phy2Phy concentrates on de-localization of interaction through the use of affordable hardware devices, and parallels the displacement of his own recent transcontinental journey. I was truly impressed by Thomas&#8217;s live demo (always a crowd pleaser!). He setup his &#8216;touch&#8217; object to communicate through IP (using an Xport) to a fellow device in Wash. DC. We watched the remote touch happen live through a simple webcam chat window.<br />
<a title="Thomas Edwards presenting touch @ Dorkbotsocal by giladlotan, on Flickr" href="http://www.flickr.com/photos/giladlotan/2390750686/" /></p>
<div style="text-align: center"><a title="Thomas Edwards presenting touch @ Dorkbotsocal by giladlotan, on Flickr" href="http://www.flickr.com/photos/giladlotan/2390750686/"><img width="240" height="180" alt="Thomas Edwards presenting touch @ Dorkbotsocal" src="http://farm3.static.flickr.com/2179/2390750686_4e26bbf7fa_m.jpg" /></a></div>
<p><strong>= Make:Way Design Briefing =</strong><br />
The Make Magazine 24 Hours of LeMons race car project gave a presentation describing their project, Make:Way, which is Make Magazine&#8217;s entry into the 2008 24 Hours of LeMons race &#8212; an endurance race where each car must be $500 or less. The Make:Way team is in the midst of transforming a $300 1993 Ford Escort LX into a screaming brute of a racecar.</p>
<p>Project photos: <a target="_blank" href="http://flickr.com/photos/makeway/">http://flickr.com/photos/makeway/</a><br />
Project blog: <a target="_blank" href="http://www.makewayracing.com/">http://www.makewayracing.com</a><br />
Race info: <a target="_blank" href="http://www.24hoursoflemons.com/">http://www.24hoursoflemons.com/</a></p>
<p><a title="Make:Way @ Dorkbotsocal by giladlotan, on Flickr" href="http://www.flickr.com/photos/giladlotan/2390771004/" /></p>
<div style="text-align: center"><a title="Make:Way @ Dorkbotsocal by giladlotan, on Flickr" href="http://www.flickr.com/photos/giladlotan/2390771004/"><img width="240" height="180" alt="Make:Way @ Dorkbotsocal" src="http://farm3.static.flickr.com/2009/2390771004_7dd0381644_m.jpg" /></a></div>
<p><strong>= Damon Seeley =</strong><br />
<a target="_blank" href="http://electroland.net/">http://electroland.net/</a><br />
Damon Seeley and partner Cameron McNall are Electroland, a team that creates large-scale public art projects and electronic installations. Each project is site-specific and may employ a broad range of media, including light, sound, images, motion, architecture and interactivity. Electroland is working at the forefront of new technologies to create interactive experiences where visitors can interact with buildings, spaces and each other in new and exciting<br />
ways. Damon presented some gorgeous projects. I especially liked the &#8216;Target&#8217; space (below) equipped with spatial scanning technology that creates a complete 3d reconstruction of the space and all people moving inside (real-time SEER TrackCam).<br />
<a title="Damon Seeley @ Dorkbotsocal by giladlotan, on Flickr" href="http://www.flickr.com/photos/giladlotan/2390869030/" /></p>
<div style="text-align: center"><a title="Damon Seeley @ Dorkbotsocal by giladlotan, on Flickr" href="http://www.flickr.com/photos/giladlotan/2390869030/"><img width="240" height="180" alt="Damon Seeley @ Dorkbotsocal" src="http://farm3.static.flickr.com/2193/2390869030_6228e68c4d_m.jpg" /></a></div>
<p>[tags]interactive,art,dorkbotsocal,diy[/tags]</p>
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		<title>Mediated Presence through Physical Objects</title>
		<link>http://giladlotan.com/blog/2007/11/mediated-presence-through-physical-objects/</link>
		<comments>http://giladlotan.com/blog/2007/11/mediated-presence-through-physical-objects/#comments</comments>
		<pubDate>Sun, 11 Nov 2007 00:11:20 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[ITP]]></category>
		<category><![CDATA[culture technology]]></category>
		<category><![CDATA[interactive]]></category>
		<category><![CDATA[news statue]]></category>
		<category><![CDATA[presence]]></category>
		<category><![CDATA[talk]]></category>

		<guid isPermaLink="false">http://giladlotan.com/blog/?p=217</guid>
		<description><![CDATA[<p>I went to BarCampLA last weekend in downtown LA and was pleasantly surprised at how organized the geek-fest seemed (thanks to Crystal&#8217;s hard work). Even though the schedule was packed by the time I got there, I managed to squeeze in a short talk: my take on mediated presence through physical objects (similar to the [...]]]></description>
			<content:encoded><![CDATA[<p><meta http-equiv="Content-Type" content="text/html; charset=iso-8859-1" />I went to BarCampLA last weekend in downtown LA and was pleasantly surprised at how organized the geek-fest seemed (thanks to Crystal&#8217;s hard work). Even though the schedule was packed by the time I got there, I managed to squeeze in a short talk: my take on <strong>mediated presence through physical objects</strong> (similar to the one I gave at the Microsoft Research Social Computing Symposium in Sept).</p>
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<p>In my talk, I presented four main points which I think are central when trying to understand presence in a mediated environment:</p>
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<p align="center"><strong>->tangible ->intimacy ->immediacy ->context</strong></p>
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<p><span style="font-weight: bold">Tangible </span>:: extracting the experience away from the screen and into physical objects around us</p>
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<div style="text-align: left">350 years ago <a href="http://en.wikipedia.org/wiki/Taj_mahal">one of the most glorious structures on Earth</a> was completed because of an emperor&#8217;s great grief for his wife, who died while giving birth. He wanted their love to be commemorated for centuries to come. Its presence still awes and inspires people who visit the Taj Mahal. Presence takes on many forms around us: the presence of great civilization and power when visiting the Mayan pyramids, the presence of Jewish tradition by hanging a small mezzuza on the doorway, or the presence of a great tragedy, when two parallel massive light beams decorate the New York sky in tribute to 9/11.We easily relate to physical objects around us simply because they are there, next to us, in our space. Because they each hold a story or even a memory. We know how to interact with different items by their functionality, material or shape &#8211; everyone knows to handle paintings with care, as they are fragile, but a ball should be thrown around. Thats what it is made for.</div>
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<div style="text-align: left">Computers have so many functions, narratives and relate to so many different parts of our lives. Our interactions are extremely simple, when compared to the immense diversity of functions the computer serves in our lives. When we meet a good friend online, we cannot squeeze the computer and send them a hug, but rather type a series of characters and possibly throw some smiley faces on the screen. It is time to break out of the screen and adopt new ways for interacting with different functionalities that our computers ofeer. When we look at theatre, an actor performs and receives immediate feedback from the audience. His presence feeds the audience, who then react back. Theatrical presence usually refers to the relationship between the actor and the audience. In my view it is extremely important to experiment with <a href="http://giladlotan.com/blog/?p=219">&#8216;breaking the fourth wall&#8217;</a>, taking things outside of the screen in order to and finding new methods of interaction with digital content.</div>
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<p><span style="font-weight: bold">Intimacy </span>:: the ability and choice to be close, loving and vulnerable</p>
<div style="text-align: center"><img alt="sep4.gif" id="image224" src="http://giladlotan.com/blog/wp-content/uploads/2007/11/sep4.gif" /></div>
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<div style="text-align: center"><a class="imagelink" title="impulse" href="http://giladlotan.com/blog/wp-content/uploads/2007/11/4.gif"><img id="image220" alt="impulse" src="http://giladlotan.com/blog/wp-content/uploads/2007/11/4.gif" /></a></div>
<p>I&#8217;m interested to figure out a way to enhance intimacy and support authentic connections across a distance. How can intimacy be represented in mediated spaces? For me, the most intimate means available to connect with a faraway person is through webcam (voice+image). The imPulse project explores the idea of creating intimacy across a distance by sharing an extremely private and internal attribute &#8211; a person&#8217;s heartbeat. It often takes much longer for us before we get to feel another person&#8217;s heartbeat. <a href="http://giladlotan.com/projects/impulse.htm">This project</a> has gone through several iterations, the latest, <a href="http://flickr.com/photos/giladlotan/516688736/">a wireless module, presented at CHI&#8217;07</a>.</p>
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<p><span style="font-weight: bold">Immediacy </span>:: reciprocity and synchronicity</p>
<div style="text-align: center"><img alt="sep4.gif" id="image224" src="http://giladlotan.com/blog/wp-content/uploads/2007/11/sep4.gif" /></div>
<p>Immediacy relates to the timing and latency of data &#8211; how important is it to receive the information right now? The more synchronous a conversation is, the more attention it requires and the more intense it feels. A conversation is usually more meaningful when conditions allow for reciprocity to take place. But it is not necessarily more meaningful when the information is immediate. What interests me is to explore how immediacy and synchronicity affects the strength of a connection to a remote person or place; their presence.<br />
I&#8217;ve just about had it with online social networks. Tools like facebook or twitter are great at first. They support asynchronous conversations with people I&#8217;d never tried hard enough to stay in touch with. But there are not enough tools which support the deeper, more substantial connections. That&#8217;s what I long for and that&#8217;s what I think is missing.<br />
Keeping this idea in mind, the <a href="http://giladlotan.com/projects/kotel.htm">Kotel installation</a> explores a real-time connection to a remote location by using live video streams. The cameras broadcast images from the Wailing Wall in Jerusalem, and are overlayed within an interactive display. This creates a direct, one-way channel between a person and that place. The display is controlled by touching a rock.</p>
<div><a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/516700455/"> </a></p>
<div style="text-align: center"><a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/516700455/"><img width="393" height="264" alt="kotel installation" src="http://farm1.static.flickr.com/237/516700455_56e14741c9.jpg" /></a></div>
<div style="text-align: center"><img alt="sep3.gif" id="image225" src="http://giladlotan.com/blog/wp-content/uploads/2007/11/sep3.gif" /></div>
<p><span style="font-weight: bold">Context </span>:: taking things out of context</p>
<div style="text-align: center"><img alt="sep4.gif" id="image224" src="http://giladlotan.com/blog/wp-content/uploads/2007/11/sep4.gif" /></div>
<div style="text-align: left">Local cultural norms (or the context in which they exist) play a key role when designing objects for people to interact and connect with. By modifying an already known object it is possible to latch onto a user&#8217;s existing habits and take advantage of an existing relationship between the person and the object. Everyone knows how to hold a baseball bat or where to look for the &#8216;take photo&#8217; button in a digital camera. It is Okay to spit in Canal street, but considered a sin a mere few blocks away in Soho.Though it is important to take into account these cultural and social norms, I find it extremely interesting to place an object out of its&#8217; usual context &#8211; placing it in a new environment. When done correctly, there can be a strikingly powerful impression left on the viewers. For example, I will never forget an exhibit I saw in Israel this past summer, where <a href="http://www.globalvoicesonline.org/2007/09/12/israel-sderots-invisible-wounds/">real qassam missiles were taken from real-life bomb scenes in Sderot</a> (an Israeli city bordering Gaza) and reproduced in a central Tel Aviv boulevard. Real rockets, real furniture in real scenes from the Sderot bombings. There was something so powerful about recreating these scenes, taken out of context, and placed in the central part of Tel-Aviv. By placing these scenes in a new environment the topic raised much more attention.<br />
<a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/523457912/"> </a></p>
<div style="text-align: center"><a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/523457912/"><img width="403" height="272" alt="Tibetan Prayer Wheels, Lhasa" src="http://farm1.static.flickr.com/213/523457912_16408d9c29.jpg" /></a></div>
<p><a href="http://giladlotan.com/projects/newswheels.htm">World News Wheels</a> is a prototype I worked on, inspired by the shape and of Tibetan prayer wheels which can be found all across the Himalayas. Many believe that once turned, the prayer inscribed on them rises up to the heavens. It is the people&#8217;s duty to circumambulate around a given path, turning as many wheels on the way as they can. This is done twice a day, as the sun rises and sets. I was interested to take these objects and superimpose a new layer above them; one that brought images from events and happenings around the world. It is common for people to consume news in the mornings while reading the paper, and in the evenings when watching TV. In this project, I had hoped to shift the regular use of these object, which have pre-existing cultural context, into a device that helps consume news. This is part of a bigger idea to explore ways for people to have a more emotional connection to worldwide newsworthy events. What was interesting about this specific trial, was that for users, wheels are a highly appealing interface. Yet for those who recognized their similarity to the Tibetan wheels, the project took on a completely different light.<br />
<a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/351298929/" /><a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/351298929/"> </a></p>
<p><a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/351298929/"> </a><a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/351298929/"> </a></p>
<div style="text-align: center"><a title="Photo Sharing" href="http://www.flickr.com/photos/giladlotan/351298929/"><img width="399" height="269" alt="World News Wheels" src="http://farm1.static.flickr.com/132/351298929_a88c137447.jpg" /></a></div>
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